Hitchcock was an undoubted master storyteller and this film that achieved in the celluloid equivalent of what Edgar Allan Poe's contribution to the literature: developing a cinematic language that gave to narrate the most intense emotions you may feel a human being, which are the joy and love, but rather the suspense, curiosity and above all, the fear of uncertainty of what will happen next. That is, to say something scathing comments, Psyco , Stranger in a Train and The Rope for this purpose. And of course that your school is such that it has had many imitators with varyingdegree of success, as might be the Brian de Palma's Body Double or Dressed to Kill in the first case, or the very Zemeckis (the insufferable churro with Harrison Ford which I do not remember the name) in the latter. The movie that concerns me, a English production directed by Rodrigo Cortés absoltutamente who do not know anything, it is undoubtedly the best movie Hitch takes to master and takes you through new boundaries with references to the phobias of our time.
Overall, the 95-minute film is about a guy who suffers buried alive for reasons which he did not have anything to do, as the invasion gringa Iraq and that to leave it, no relative, friend, or specialist burrócrata efficiency of pinch help you get out of it. Literally, from start to finish, the film stars Ryan Reynolds in his ataúdy court takes quite juicy results. While De Palma getting endless play Hitchcock choreographed action shots, cut off not only the formal business rescue, if not the wit of the script in terms of exposure to characters and situation is devilishly absorbent.
Something about the first 15 minutes. Hitchcock: give the audience a dive the status of your perrattles. Buried In : after a well-designed credit transfer it to the audience a couple of minutes in silence, in darkness in the cinema, until you hear a cough Reynolds, convulsing and screaming in despair . Already in the box and magically. Hitchcock: The worst fear is that inflicted by unseen circumstances, uncertain. Buried : your only contact with the world, and your situation is a limit Telefonito cell battery that serves as a means to feel the terror of your tormentors and the uncertainty of the rest of the world continues to rotate at normal speed, or rather, breathing fresh air into the boringeveryday. I say no more, because from there, Cortez manages every damn trick with Hitchcock, and after one of his own, that these 95-minute film will be an experience edge seat . Needless to mention that if Ryan Reynolds was missing something to convince as an actor, here comes more than a slip unscathed naditita easy or pleasant to do.
And in the end all that is told in the movie but at times is appallingly fantásitco and imaginative one never ceases to presume that sounds logical. It seems to me the premise of the film as a question of a personality test: "if you were buried alive coNo cell phone ... who called? "" and try to convince his captors to get there? ". And I do not know why, but it suits me think inside that box Members of the devil ...
Rodrigo Cortés passed immediately and without further suspicion to the list of "see anything with your name." Chingonería movie.
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