I feel bad when the majority is right, but you look more laps and we are right; Tron is visually beautiful, the soundtrack is classic instantaneous , neo, hold on to see Jeff Bridges in synthetic youth plan (not very convincing in the first scene) and post Lebowsky while, but the story has some plot holes that one can avoid simply take it seriously. Considered regrettable that the authors seek to establish more or less archetypal discourse, with the father-son, God-man, Hitler, Christ, and some rolls Zionists and glimpsed in the former Matr ix plus the fact that in the visual, Tron achieved not only manages to meet, but exceed the expectations.
Roughly: the anarchic Flynn of the original Tron had a son named Sam, who lost their mother to child (I think) and father when he disappears from the face of Earth without saying goodbye. " It turns out that Sam is the heir to commend the company of his father and which is a kind of empire in the style of Microsoft (even with a very to Steve Jobs). In it, the only true executive Alan's father (who was in the original model for the character Tron) and who more or less trying to defend the vision & amp; oacute n original company, get a little message on his beeper ancestral original Flynn. Knowing something old, Alan lets the message to Sam who goes to the arcade bad, put a penny in the old game of Tron and it is digitized soon in the flesh (?) Within the Grid, the world's original Tron but that has evolved to a point of perfection. The Grid is ruled with an iron fist by Clue, master program in the image and likeness of Father Flynn with single propósoito to achieve perfection in which, for some strange reason idiosyncratic programs with free will (??), does not include user-generated creative and spontaneous lifemind. And then find the father and the heart turns away and then a predictable bla an hour and minutes. Oh, and at some point reappears character gives the film its name, though it feels as resource box.
The temásy allegories on the creation, perfection of apprehension for power are interesting, but really cease to matter when one has to face some serious problems in operative narrative.
Ironically, the most scandalous hole in the whole plot is the rabbit hole: how is that human beings come to occupy a materially digital space through the & qUOT; quantum teleportation "is a thorn that distracts from the rest of the story, both in meaning as in the allegorical plot. When the original Tron, perhaps the whole approach was so visionary and outside the scope of the current viewer to realize it, but in the post Matrix in much of the audience we have at least clear difference between hardware and software, as the best description of the Prosesa requires the word "magic." In any case, the logic of the world "digital" Tron, where human beings are physical (flesh and blood, literal, or maybe hardware)where blood on the Grid and Newton's law also applies, invites us to think what I imagined as a child: literally humans enter the chip, or whatever media is in the form of miniatures, are hunched microscopic ; Typically a point where they can "feel" chips and touch the borders of the hard disk. If this is the logic, as a graphic designer I can not help thinking what the hell happen to the resolution of the "programs" when they were "printed" or "molded" in the "real" world: perhaps the most perfect Quorra would not have to lose some pixels in the process?
Other derivatives of the previous holes, and many others in the number of contradictions with the issue of free programs albeldríoy spontaneous life, the one that gave me serious problems is the passivity of Flynn Creator. Indeed, his philosophy of not acting, which recalls something Dude Lebowski, is interesting in the Zen roll and if that has applications in the world we live in, but do not understand why the guy in it so long imprisoned not I can devise a plan against Cue and be the one who sent the message to the pager of Alan (the original Tron tape) off, then, when I try to go to remove your child's skills showed me at least NIMAS to reschedule programs andchange their environment. Needless to say, engineering their environment to avoid leaving the Grid program puts a time portal that is left to San Juan de la chingada (is not it enough that the disk was the key, already?). And that's where I leave, because I have neither the expertise or interest in further elucidate that roll with these kernels, it would just mention that, either in a complex but clear ( Matrix), or simple but functional (Inception ), may well have thought him a little more before finishing the script, which according to Pixar had to get some advice.
Sin embargo, Even despite the slight frame little details that did not stop really enjoy the question of what is told, seen off a second time if the brain is that Tron is one of those few movies that deserve the trip to just for the movies look and sound so neat. In that sense, deserves more than a "visually fantastic" a "visual epic: the imagination invested in this digital world is ambitious and rather admirable, I think a lot more risky than Avatar the pitufeante (and I do not mean to 3D, which to date for me is merit in "visual"), and only the sequenceence with light cycles, light fighters "?, and see Olivia Wilde and Beau Garrett encased in what seems to me the best costume design of sci-fi ever made (some credit to the designer of the original, Moebius Jean Giraud), enough for me to say that Tron more than a mess, is an epic, admirable risk did not work at all (cinematically speaking, that at the box office has not done so mal). Not for this little bit of fucking the level of real clunkers as Bay Bruckhaimer or Transformers 2, Pirates of the Caribbean or Prince of Persia , but if too far from the classic that could to be to p ar Blade Runner or Inception.
Am I the only one who is carnal Nolan seems that the scripts for the obvious sequel planned?
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